SNL shows Clint Eastwood taking his empty chair on the road. I think this is again symbolic of the Romney/Ryan roadshow. LOL
Showing posts with label clint eastwood. Show all posts
Showing posts with label clint eastwood. Show all posts
Sunday, September 16, 2012
SNL Takes on Eastwood and the Chair
SNL shows Clint Eastwood taking his empty chair on the road. I think this is again symbolic of the Romney/Ryan roadshow. LOL
Monday, September 3, 2012
Sunday, September 2, 2012
Republicans Jumping the Proverbial Shark
chicka_chicka_gifs
The Clint Eastwood debacle is turning into one of those cultural moments of convergence when even the most tuned-out voter realizes that something has changed and we've taken a step into Bizarro World. Clint's "chair improv" moment is even listed now on Wikipedia's Jumping the Shark Page.
The phrase "jumping the shark," comes from a ridiculous episode in the series Happy Days when "The Fonz" (Henry Winkler) put on swim trunks and went water skiing wearing a black leather jacket. That scene managed to turn the coolest character on TV into a silly wimp pretending to be in danger.
In Clint's case, we were forced as a mass audience to watch his weird self-indulgent parody of imaginary Obama as a foul-mouthed brutha from the ghett-o, which is every tea partier's stereotype and nightmare as described by Rush Limbaugh - the "community organizer" from "thuggish Chicago" who is actually a "Kenyan" and who needs to "get out of the White House" because he's not a "real American." The only thing Clint could have said to make it a perfect ten would be to pout and tell Obama-Chair belligerantly: "I want my country back."
Instead, we have to settle for one of the greatest living actors on stage drawing a finger across his throat while saying "We Gotta Let Him Go." The fact that Clint was lynched in more than one of his movies (Hang 'em High and The Good, the Bad, and the Ugly) doesn't help matters because it just means he knows exactly what racist reference he is possibly making to his wingnut audience.
via gifsfln.com
Here's the description of where the phrase "Jump the Shark" from the LA Times
In 1987, Jon Hein and his roommates at the University of Michigan were drinking beer and had Nick at Nite playing in the background. They started talking about classic TV shows when someone asked, "What was the precise moment you knew it was downhill for your favorite show?" One said it was when Vicki came on board "The Love Boat." Another thought it was when the Great Gazoo appeared on "The Flintstones." Sean Connolly offered, "That's easy: It was when Fonzie jumped the shark." As Hein later recounted, there was silence in the room: "No explanation necessary, the phrase said it all."
Thus was born an expression that would quickly make its way into the pop culture mainstream, defined by Hein as "a moment. A defining moment when you know from now on … it's all downhill … it will never be the same."
To connect this to politics, I think the Republican Party members believe they are in a never-ending series like . . . let's say . . . Gunsmoke - all tough and macho and frontiersy, beginning and ending with a shoot-out Ted Nugent style.
But in reality, the Republican Party is more like All in the Family on steroids, or worse - the ever-conventional and color-coordinated (white mostly) Brady Bunch when Vincent Price trapped the boys in a cave in Hawaii because of an evil Tiki idol that put a curse on them. I think Joe Arpaio and his Arizona pals would understand this - he sent his minions there to get the real scoop on Obama's birth certificate, and what happened? The Feds started investigating him for hate crimes. Must be the curse of Hawaii once more. Or maybe the Republican Party just jumped too many sharks on the way to Hawaii and birtherism, period.
Kooky and Creepy Old Guest Star Vincent Price
(Sorry, I couldn't resist throwing in Hawaii because even the youngest Brady knew that they were still in the good old United States. What do Republicans think the name "Hawaii 5-0" means anyway?)
Or maybe Mad Men has it right - Don Draper's wife Betty ran off with a successful politician, but instead of her life becoming more modern, they end up living in the House of Dark Shadows with a weird old grandma out of The Addams Family. I think there's definitely a parallel there to the American Gothic negativity of the modern GOP, with their bag full of dusty torture devices and their witch hunts.
Another parallel to Mad Men is the fact that a very conventional British character Lane - the "Anglo-Saxon" character - kept lying to people about his money situation until finally his only way out was to hang himself at the office. That somehow seems familiar this year, since Mitt Romney has been unwilling to release his tax records or tell the truth about his real connections to Bain Capital. And every time he or his wife open their mouths about it, the noose tightens more.
I would compare the Repubs to Buffy the Vampire Slayer, so convinced are they that life in the U.S. has become a Hellmouth under Obama, with the Apocalypse just around the corner. The only problem is that they would deny that a woman, or even an army of women, could save the world. The only women superheroes in their world are the Moms, especially the wealthy homeschooler Moms, or conversely the bleach-blonde bitches on Fox News, plus Condileeza Rice, the warmongering Amazon. Even the fact that Buffy wore a cross and carried around holy water while killing vampires and satanic demons wouldn't matter to the GOP. Also, while Buffy was a rather silly show at times, it never jumped the shark, and had one of the best final episodes of any series in history. Something tells me the Republicans aren't going to have a happy ending.
Buffy is too much like Sandra Fluke anyway - you know, young, opinionated, intelligent and female, with lady parts that she controls - and is therefore a slut and probably popping birth control pills like pez. Don't even get me started on Buffy's friends, the Wiccan Lesbians in the series - they don't exist in GOP Land. Let the shark eat them. "Let them go."
I'm sure the day after Clint Eastwood made that speech, many Republicans all over the country woke up wondering if it had been a dream - like the time everyone thought Bobby Ewing was dead on Dallas, but then he stepped out of the shower alive and well. I know they don't like the word "HOPE" but that's really what they wanted to gain from the GOP Convention. They wanted to wake up in a place like Dallas where there's plenty of money and people who will vote exactly as they do and Obama isn't going to be President anymore after November. They wanted a big bounce, and a big lead.
Except that this is reality TV, and Clint Eastwood steered his speedboat through the middle of the Convention Center and ran his own embarassing wrinkly shorts up the main mast for all to see, while mumbling crazy talk to an empty chair. It was much more of an Evel Knievel show-stopper than anything Fonzie ever did on Happy Days, and its effect on society - Priceless, and not good news for Mitt Romney. Too bad it didn't happen during Shark Week.
What Eastwood's Chair Really Said
Via: Francesco Francavilla
LOL!
The Chair Responds to Eastwood:
Chair: What did people say when you said you were going to talk to an empty chair?
Eastwood: You're absolutely crazy.
Saturday, September 1, 2012
President Obama as Clint Eastwood's Invisible Straw Man
As an English major and bookish person, it's fascinating to me that iconic books are beginning to define the candidates.
For the Republicans it's clearly anything written by Ayn Rand from Atlas Shrugged to The Fountainhead. John Galt represents the selfish "every person for themselves" attitude that causes the Republican Congress to block or stonewall every social program that might help anyone, and their vision of society is of one divided between successful wealthy people and the slacker rabble who are beneath them.
My posts about the Republicans and Ayn Rand's books:
Ayn Rand and the Politics of Egomania
More on the Ryan and Ayn Connection
For the Democrats, the new book reference, thanks to Clint Eastwood, is Ralph Ellison's amazing book, Invisible Man.
Thursday night at the Republican Convention, Clint Eastwood played out a bizarre ad lib between himself as a typical Republican and an empty chair representing President Obama. While it's easy to laugh and blame the whole thing on the senility of an aging actor past his prime, what he did was quite symbolic.
Obviously the Republicans want Obama's chair to be "empty" - they want him gone from the White House. Back in April, the Romneys were asked in an interview what they would like to say to President Obama, they said Obama should just get out of the White House. Get out of the Oval Office - here we come!
Source: The Hill
"Well, start packing. That's what I'd like to say. Obviously we have a very different view. The president, I'm sure wants another four years, but the first few didn't go so well," Romney said.
"His policies have not helped the American people. They have not helped get jobs, they have not helped raise incomes and they’ve added trillions of dollars of debt,” Romney added.
The sentiment was echoed by Romney's wife, Ann, who has played an increasingly prominent role in the campaign in recent weeks.
"I believe it's Mitt's time. I believe the country needs the kind of leadership he's going to offer… So I think it's our turn now," Ann Romney said.
Notice what he also does in that quote - Mitt blabs a bunch of other things about Obama implying he hasn't done any good for the country and has created all the national debt by himself, which is a lie. In fact, Romney lies nearly continuously in his speeches about what Obama has or hasn't done, and other Republicans are worse. John Sununu and Donald Trump call him "foreign," and the birthers cheer. Sarah Palin says he wants to kill Grandma with a death panel, and everyone waves a flag. It's just rank propoganda and vicious rhetoric that bears no likeness to the truth.
In debate, that is known as creating a "straw man."
From "Fallacy Files":
Etymology:
"Straw man" is one of the best-named fallacies, because it is memorable and vividly illustrates the nature of the fallacy. Imagine a fight in which one of the combatants sets up a man of straw, attacks it, then proclaims victory. All the while, the real opponent stands by untouched.
So we have real Obama, who was born in the United States and has been a really good President for four years, then we have this demon straw man who is just a diabolical fiend, conspiring with his own parents before he was born to become President and drive Tea Party members insane 50 years later.
What Clint Eastwood did with his comedy sketch was to imagine Obama sitting in that chair on stage, in effect creating an "imaginary straw man." How do we know that his vision of Obama was not the real thing? Well, he put words into Obama's mouth that he wouldn't say - our President just isn't going to tell Mitt or anyone else to "F*** himself," which is what Clint implied as a joke. It was just unfunny.
Eric Stetson wrote in an essay called "Attacking an Imaginary Obama"
It is not insignificant that Clint Eastwood pretended that the imaginary Barack Obama he was talking to responded to him with vulgarity. On multiple occasions, he pretended that Obama cursed him with the f-word as a response to his political criticisms. The real President Obama would not do this, of course, because he is a gentleman who speaks in a dignified manner. Republicans like Clint Eastwood cannot stand that. The Obama of their imagination is ghetto trash, the kind of person who would cuss and make his points using vulgarity rather than well-reasoned arguments. They literally imagine him as their image of the stereotypical young urban thug, because the reality of a young black liberal gentleman is too difficult for them to comprehend or accept.
Exactly. The invisible straw man in that chair is not the real Obama.
Hungry Coyote on Daily Kos has a great diary about the disrespect shown to Obama by Eastwood, and I won't try to repeat all of it because I want to actually discuss the literature involved with some quotes from Ellison.
But first let's just look at a quote from MSNBC transcript she has kindly provided, a snippet of discussion between James Lipton of the Actor's Studio and Chris Hayes.
Chris Hayes: . . . he was sitting in a chair. So he was being literally talked; literally, physically talked down to.
James Liption: Down to.
Chris Hayes: Down to, and like a school boy; like an errant school boy, and my executive producer made this point about you know, Clint Eastwood and the RNC should go back and read The Invisible Man by Ralph Ellison because actually, there's a whole masterpiece of American literature ... around the experience of invisibility in front of the white power structure for a black man in America. And obviously that was; I don't want to say like that that was obviously the intentional subtext. I think it was not thought out. I just think it was they wanted to have a gag. But the way it reads was deeply, deeply profoundly, profoundly disrespectful in a way that really, I found kind of upsetting.
James Liption: One of the things about this campaign that has fascinated me is the number of jokes that have gone over like lead balloons.
Alex Wagner: yes.
James Liption: I've never heard quite so many jokes that weren't really funny. They're structured like a joke, sounds like a joke; you think you're listening to a joke, except it's not funny.
I think Ralph Ellison would concur - it's unfunny to imagine a black man as errant schoolboy - or "boy" of any kind, especially in the 21st century. The trouble is, the Republicans seem to long for the plantation past with their talk of secession as the answer to all problems, and their denial about America becoming more brown and less white all the time. I think that's why they are desperate enough to let their racism show.
Every time we hear a string of dog whistles in a speech, what the speaker is really just showing you his ideal straw man - a black person who never heard of civil rights, who never went to college, who never wrote a book or owned a house or entered the middle class. In his convention acceptance speech Mitt Romney, like Santorum before him, mocked Obama for being a lawyer, when all three of them went to the same exact Law School at Harvard. That is like making yourself into a straw man, then attacking yourself with just as much ferocity lest someone mistake you for your enemy. It must be painful to go on stabbing yourself that way, but Mitt, Ryan and the others want to highlight differences, not similarities.
African Americans back in the day endured a type of apartheid, restricted to certain neighborhoods, certain jobs, certain schools, certain expectations. Ellison was a man of that time, and as in Kathryn Stockett's recent novel The Help set in Mississippi during the sixties civil rights movement, people were expected to "know their place," to sit in the corner, to look down, and to never speak up. Ironically, that learned behavior of obsequiousness certainly helped the struggle as they followed Gandhi's rules of non-violence and Thoreau's idea of civil disobedience. Brave people were willing to endure anything to change the system, from the indignity of mustard poured over their heads at a lunch counter or being chased by police dogs on a public street or thrown in jail.
And Ralph Ellison's 1952 novel was just one of a number of great American books that influenced social change in the 60s, but given that the Republicans don't see President Obama clearly and Eastwood literally made him the "Invisible Man" on stage in Tampa, here are some quotes from the book that can remind us of the plight of President Obama. No matter what he does, 30% of American won't accept him as a "real American," and many of them will never admit they were wrong. But they are the ones who can't see themselves clearly.
“I am an invisible man. No, I am not a spook like those who haunted Edgar Allen Poe; nor am I one of your Hollywood-movie extoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination—indeed, everything and anything except me.”
“I was pulled this way and that for longer than I can remember. And my problem was that I always tried to go in everyone's way but my own. I have also been called one thing and then another while no one really wished to hear what I called myself. So after years of trying to adopt the opinions of others I finally rebelled. I am an invisible man.”
“I was never more hated than when I tried to be honest. Or when, even as just now I've tried to articulate exactly what I felt to be the truth. No one was satisfied”
"America is woven of many strands; I would recognize them and let it so remain. It's 'winner take nothing' that is the great truth of our country or of any country. Life is to be lived, not controlled; and humanity is won by continuing to play in face of certain defeat. Our fate is to become one, and yet many -- This in not prophecy, but description."
Friday, August 31, 2012
Mitt Romney ~ Upstaged by a Chair
First there was all this anticipation of a "mystery guest" arriving at the Republican National Convention, then there was lots of interest when it was found to be Clint Eastwood. What would he say? Did he bring a cool film with him, as he did at the Super Bowl? Would he say something memorable?
*snort* OMG - did he ever! Dirty Harry came out on stage in Tampa and proceeded to discuss politics with an empty chair where he imagined an invisible President Obama.
No, I am not making this up. The tumultuous skit with the chair even created a furor on both Twitter and Tumblr, and I assume Facebook as well, as people who had been almost asleep after 100 boring speeches woke up and started making chair art.
And two new hashtags were invented: #eastwooding and #invisibleobama
What all this means is that no one was really paying much attention to Rubio's or Romney's speeches which followed Eastwood, even though they were supposed to be the highlights of the evening. It almost . . . almost . . . makes me feel sorry for Mitt. He has the stupidest team in politics and I think that's undisputed now.
Even people who love Clint Eastwood, movies, imaginary friends, and actors in general found the whole thing downright bizarre. Famous film critic Roger Ebert Tweeted:
Clint, my hero, is coming across as sad and pathetic. He didn't need to do this to himself. It's unworthy of him.
— Roger Ebert (@ebertchicago) August 31, 2012
TV sitcom legend Bob Newhart joked that Eastwood was stealing his bit of talking to imaginary people on the phone:
I heard that Clint Eastwood was channeling me at the RNC. My lawyers and I are drafting our lawsuit...
#RNC#ClintEastwood#rnc2012#GOP2012
— Bob Newhart (@BobNewhart) August 31, 2012
Rachel Maddow was rendered almost speechless with shock in a classic Live TN moment:
This seat's taken. OFA.BO/c2gbfi, twitter.com/BarackObama/st… — Barack Obama (@BarackObama) August 31, 2012
And look at the other beauties from Tumblr and Twitter ~ this will go on for days and days because the variations are endless. Expect a plethora of chair jokes next week in Charlotte. Poor Mitt.
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The Republican Convention Condensed
pic via eatbloganddie
My collections of Twitter and Videos from each night on Snark Amendment:
RNC Night Three: Mitt's Big Moment
RNC Night Three: Introducing Mitt
Clint Eastwood Talks to Empty Chair in Tampa
RNC Night Two: Paul Ryan Center Stage
RNC Opening Night: One Hand Clapping for Lame Speeches
And in case you just can't stomach all that (who can blame you?):
Talking Points Memo ~ The Republican Convention in 100 Seconds (per day)
And finally this great Recap by ABC News from Night Three:
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